Professor Lerman earned his B.F.A. with Honors in Music and an M.F.A. in film and theater arts, both at Brandeis University in Waltham, Mass. in 1966 and 1970, respectively. Before coming to ASU’s West campus in 1994, he held academic positions at the Boston Museum of Fine Arts School, M.I.T., and Tufts University where he taught experimental filmmaking, electronic music and performance art.
Professor Lerman says his creative activities have always engaged sound art and he has created work in this genre since the late 1960s through music composition, film/video, installation and performance art. Throughout his career he has been seeking and gathering sounds, to create work that may weave through nature in notable landscapes or at sites that pertain to human rights issues. His recent work has engaged climate change with several trips to record audio/video north of the Arctic Circle in Finland, Norway, Russia and Sweden.
He has worked with piezo disks and other transducers since the 1970’s, building his own microphones and associated electronics. He is well-known for using these materials in his work and sharing aspects of this work on his websites. Sound Generation named him "the internet father of the piezo disk" in 2013.
In 2004, he developed a course called Art and War. Since then he has researched how artists the world over have developed art that deals with war. Other courses include Media and Diversity focusing on global cinema, Utopia/Dystopia exploring science fiction through novels by five female authors, and Documentaries, surveying work in film, video, radio, installation and writing.
Among Professor Lerman’s projects include “From the Aleutian Islands” (recordings made at the site of the Aleut internment during World War II) and “Trinity Site” (recordings made at the site where the first atomic bomb was detonated) for Radia, the European Art Radio Consortium. His “Hoover: Water | Power” is installed at the ASU Art Museum for their exhibition on Sustainability from Oct 2009 – Feb 2010. Recent 3-channel video installations (2015 and 2016) include Arctic Transitions: in the age of Carbon, made at the Kilpisjarvi Biological Research Station in the NW of Finalnd, and the Danube, Vineyards and Carbon Fiber Rods made at a 3-month residency in Krems, Austria.
His piece “Travelon Gamelon, (1978) for amplified bicycles has been performed worldwide many times, most recently at the FKL Symposium in Cagliari, Sardiniam Sept 2017. Both the Promenade and Concert Versions have been releasead on LP and CD by Folkways/Smithsonian and EM Records, Osaka, Japan Currently, he is continuing to develop an ad-free video streaming site, SonicJourneys, in tandem with telvue.com.